Restoring Bits of Code from Original Files with Copy & Pasteįor example, say I made changes to the functions.php file of a theme (which inevitably broke the site). This means you can still access the files and code that were backed up before you started making changes.įrom here, BackupBuddy allows you to view a read-only version of the file. This backup file list view looks similar to what you would see when browsing the files on your site from an FTP client, except these files aren’t the current files, but the versions of the files from when you initially made the backup. Hover over the backup file name to see the options. From here, you’ll see a list of the local backups stored on your site, including the latest backup file you just created. By making a backup before you start making major changes to your site, you’re taking a “snapshot” of your site that you can use to revert back to if something goes wrong.Īfter you’ve made a complete backup, navigate to the BackupBuddy > Backup Page. Before you get started making changes in the design or function (really any code-related changes), make a complete backup of your site with BackupBuddy. Yes, we say you should always store your backups off-site, but it’s not a bad idea to also store one locally on the site if you’re busy actively making changes to files. Make a complete backup of your WordPress site with BackupBuddy before you make major changes. Using BackupBuddy’s Individual File Restore Functionality 1. Not it only does it provide complete backups of your entire WordPress site, the ability to move your site from server to server (easily!) and a way to automate your backup schedules, it also gives you an incredible flexibility to actually sift through old backups zip files (directly from your WordPress dashboard) to find that one piece of code or that one single file that would make everything ok again. BackupBuddy then allows you to restore individual files or folders with one click. Go Back Before You Clicked the Save, Delete or Update File ButtonīackupBuddy can save the day. Whether you’re making changes to a page template, your CSS stylesheet or adding/deleting files to the media library, one click of a button can change everything. If you know the panic of a fatal error or a blank screen in your browser, this probably sounds all too familiar. When it comes to making changes on your WordPress site, one wrong bit of code can take the whole thing down. Ever wish you could go back in time? We all do.
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If you’ve just realized that some changes are needed, hit the “Back to edit” arrow. Width : 720 px Height : 265 px Facebook Timeline Cover Photo Size in Inches. As you can imagine, if your desktop image is imperfectly optimized according to Facebook cover size requirements, mobile users will see anything but a. Facebook Timeline Cover Photo Size in Pixels. On mobile, your image will appear as a 640 pixels wide by 360 pixels tall graphic. If you want to get rid of the tiny watermark in the bottom right corner of the image, just upgrade your account to Clideo Pro. Facebook cover photo size is 820 pixels wide and 312 pixels tall for desktop. Keep in mind, though, that mobile users will only see a 640×360 pixel image. For those on mobile devices, the file appears at 640 pixels wide by 360 pixels tall. This, however, is the size that file will be seen at by viewers using computers. However, mobile users will see 640 pixels wide by 360 pixels tall. Save the result to your personal device or a cloud storage account. The Facebook cover photo size on the desktop is 820×312 pixels. Facebook cover photos and videos should be sized at 820 pixels wide by 312 pixels tall. The Facebook cover photo size is 820 pixels wide by 312 pixels tall on desktop. When you are done, click on the “Resize” and get ready to change your Facebook cover photo! In such a case you can move the image within the frame to find the exact part to save. This mode fills the frame with the image completely, but be cautious – a part of the picture may be cut out. If you want, you can also resize your image for any other social media and post type – there are about 100 combinations available!Īs for the crop options, for the cover page you’d better stick with “Fill”. Set “Facebook” in the first field and “Cover” in the second. To know exactly that your cover photo will be shown perfectly on both devices, try using the Facebook cover photo size of 820 pixels by 360 pixels. They display at 820 x 312 pixels on most computers and 640 x 360 pixels on most. Resize the picture for Facebook cover photoįind the “Resize for” section on the right side. Facebook cover photos look like banners on top of your Facebook timeline.You can also call the drop-down menu on the same pane and pick up a file from your cloud storage - Google Drive or Dropbox Open Clideo’s Photo Resizer and hit the “Choose file” button to select a photo from your camera roll or other personal device. That’s why we suggest that you use an image that’s at least 1125 x 633 pixels (aspect ratio 2.7:1). However, these dimensions would be too small for devices with a retina display. It works in a browser, so you don’t have to download and install any app, but you’ll need a fast and stable internet connection.įollow three simple steps and resize a Facebook cover photo to fit the social medium’s demands in no time. Facebook’s recommended cover photo dimensions are 851 x 315 pixels with a minimum width of 720 pixels. Our tool allows you to resize photos for Facebook cover online and for free – you can upload files up to 500 MB at no cost. Recommended dimensions: 820 x 360 pixels. If only Meat Boy's simple joys weren't diminished in the transition. The studio deserves credit for trying something different. It was supremely, absurdly hard.) Super Meat Boy Forever remains as vibrantly revolting as you remember the original being, but the platforming design doesn't live up to the established pedigree. He tossed absurdly fast projectiles at me that brought to mind the most harrowing of Mario Maker levels. Fetus on a conveyor belt rolling towards certain death. The Meat Boy universe is at its best when it offers a demonic homage to the hellish 8-bit platformers of yore, and I stumbled into one of those famous, hidden "glitch zones" that transported me to a wonderful Mega Man send-up. I found myself wanting more of an author's touch.Ī lot of Team Meat's indelible charm is still present. The first game was challenging, but never unclear given a bit of observation. This works more often than it doesn't, but there were certainly incidents where I simply had no idea where I was supposed to go or what I was supposed to do. On top of that, Forever is procedurally generated, stringing together obstacles in a random seed. I ran into a boss that was particularly elusive of that attack, and as I learned, there is nothing more frustrating than sliding through a gigantic hitbox over and over again, adding a slight dash of defective wonkiness to a videogame that's already pretty difficult. Meat Boy is equipped with this forward lunge that's used to dispatch enemies and cross distances, and I found that part of the arsenal to be relentlessly inconsistent. Maybe that frustration would be alleviated if the controls still felt great, but I ran into a number of weird, slippery breakdowns throughout Forever. Elsewhere, I found tiles that, when passed through, turn solid, allowing me the chance to bounce backwards onto them as I was searching for higher ground. One world introduces a belligerent purple beam of light that, when defeated, briefly infuses Meat Boy with the ability to blast through certain barriers. Team Meat has also generated enough wrinkles to keep the auto-running blueprint from growing too staid. Those moments where everything clicks, and you finally pass through a helter-skelter trial unscathed, remain profoundly sublime. A lot of the glee found in the original-the white-knuckle chaos of a platformer that moves so fast that you're forced to rely on your primal instincts rather than your deductive acumen-is replicated in the sequel. Fortunately, Forever is far from a calamity. What followed was a series of wildly challenging levels that saw poor Meat Boy get torn to shreds more than a few (dozen) times. Reforging that functionality, scaling back the precision, seemed like an odd choice at best and a disastrous one at worst. Super Meat Boy Forever Launch Date The first game saw players stepping into the shoes of Meat Boy (does he wear shoes) as he embarked on a quest to save his beloved girlfriend Bandage Girl from the evil Dr. One of the reasons people adore Super Meat Boy is for its airtight controls. Renamed() is invoked when a targeted file is renamed.Deleted() is invoked when a targeted file is deleted.Created() is invoked when a new file is dropped in a directory or subdirectory being monitored, or when a targeted file is changed.The Created(), Deleted() and Renamed() methods aren’t really doing anything different from each other - they are all clearing the html cache for each instance returned by the GetSiteInfos() method, though I do want to point out that each of these methods are defined on the Sitecore.IO.FileWatcher base class and serve as event handlers for file system file actions: The SetMessages() method vets whether subclass returned these objects correctly, and sets them in private properties which are used in the Created(), Deleted() and Renamed() methods. Data returned by these methods are used when logging information or errors in the Sitecore log. The above class defines five abstract methods which subclasses must implement. If (collection = null || !collection.Any()) Protected virtual bool IsNullOrEmpty(IEnumerable collection) IEnumerable siteNames = Factory.GetSiteNames() Protected virtual IEnumerable GetSiteNames() SiteInfo siteInfo = Factory.GetSiteInfo(siteName) Protected virtual IEnumerable GetSiteInfos() Private string RenderingFileModifiedMessage ", siteInfo.Name), Owner) Public abstract class RenderingFileWatcher : FileWatcher I came up with the following class to serve as the base class for any FileWatcher that will monitor renderings that live on the file system: Likewise, the XslWatcher FileWatcher does the same thing for XSLT renderings but also clears the XSL cache along with the html cache. ascx) has been changed, deleted, renamed or added. The LayoutWatcher FileWatcher clears the html cache of all websites defined in Sitecore when it determines that a layout file (a.k.a. While digging through code of Sitecore.IO.FileWatcher subclasses this weekend, I noticed a lot of code similarities between the LayoutWatcher and XslWatcher classes, and thought it might be a good idea to abstract this logic out into a new base abstract class so that future FileWatchers which monitor other renderings on the file system can easily be added without having to write much logic.īefore I move forward on how I did this, let me explain what the LayoutWatcher FileWatcher does. The Swapfile will provide your system with an additional 1 GB of RAM running from the USB drive for playing videos. Note: The image chosen will be resized to 146px x 146px BUT +NOT CROPPED and converted to. Supported image formats are: jpg, jpeg, and png (any size). Then the image of your choice (or transparent image) is displayed, if there is no cover in the MP3 tag too. The empty album cover frame is removed, which is displayed when there is no entry in the Gracenote database for the artist. Overlays that can be removed: Now Playing, List View, In Call, Text Message View, and Behind Buttons Change Blank Album Art Frame Remove the background behind the buttons and other semi-transparent overlay backgrounds.
Again, you can also use Google, Yahoo or Bing to find information across the internet for any street address in New York. White pages,, , and can be used to do a NY address lookup. You can also do a reverse address lookup to find information on any address in New York. You can also use a search engine like Google to lookup a New York phone number as well. You can use Pipl, Whitepages or Zabasearch to do a free phone lookup. Doing a reverse phone number lookup in NY can help you find additional information on a person who has a NY phone number. 5) NY Reverse Phone Number LookupĪs we mentioned before, you can use white pages, people finder sites, or Google to do a reverse phone number lookup for a person in New York as long as their area code is a New York area code. Facebook’s name search is one of the best ways to find a person by there real name. A person’s social media profile can reveal lots of things about them that traditional white pages and public records don’t contain. Social media name search tools are a good free way to find someone from NY or anywhere else in the United States. You can also use social media sites like Facebook, Twitter, Reddit, and Linkedin to find people by name or user ID in New York. Search engines can also be used to reverse lookup someone’s phone number, address, or email address online.ĭoing an web search to find a person can reveal contact information, phone numbers, addresses, employment history, civil records, criminal records, and voter registration information for people. Web searches can be used to search for people by name and location. You can find information on people by using Google, Bing, or Yahoo. 3) Use Web Search EnginesĪnother good search tool to help you find a person in New York or anywhere else is to use an internet search engine like Google or Yahoo to do a people search online. A Google search for “white pages” can help you find some of the top white pages directory sites online where you can find a person in NY. There are a number of good internet white pages sites. A white pages reverse phone number lookup or address lookup can help you find a person in New York when you have a limited piece of information on the person. You can also search white pages using a person’s name, city, state, phone number or address. You can also search any white pages site like to find a person in New York. Some of the more popular paid people search engines include:, , and. Some of the top free search sites where you can lookup people by name, phone number, or address, include:, , and. Some people finder sites are free, while others charge a fee for information. You can also use these sites to do a phone number lookup or address lookup for a person in New York. Most people finder sites allow you to locate someone by name and location. You can use people search engines to find people statewide in New York or you can search within a given city. There are dozens of good people finder engines on the internet where you can search for people in New York. Some of the best ways to find someone who lives in New York are people search engines white pages directory searches web search engines social networks reverse phone number lookup reverse address lookup. These are the most populated cities in New York where you could do an online people search. Some of the top cities in New York where you might want to search for someone include New York City, Buffalo, Rochester, Yonkers, Syracuse, and Albany. If you need to do a people search to find someone who lives in New York, there are a number of good internet tools to help you locate a person. Around 20 million people live in New York state. The area of digital data preservation repositories has several open source solutions, which can form the base to overcome the challenges to reach mature and reliable digital data preservation.Īrchivematica is an open-source and non-commercial digital preservation system, that was cho-sen and installed by the National Library of Wales to explore the ingest and preservation of digital data-objects, as part of the digital preservation ambitions of the Archives and Records Council Wales. Along open source solutions, the paper also briefly surveys the standards and protocols relevant for digital data preservation. Furthermore, five of these open source projects, are further analysed, with focus on features deemed important for the area. Eleven open source projects for digital preservation are surveyed in areas such as supported standards and protocols, strategies for preservation, methodologies for reporting, dynamic of development, targeted operating systems, multilingual support and open source license. This paper focuses on the state-of-the-art in open-source software solutions for the digital preservation and curation field used to assimilate and disseminate information to designated audiences. With this awareness, efforts are being made to create and perfect software solutions capable of responding to the challenge of properly preserving digital information. Digital data preservation is a mandatory issue that needs proper strategies and tools. Governments and institutions can no longer rely on old methods for storing data and passing on the knowledge to future generations. In the digital age, the amount of data produced is growing exponentially. This is very clear in what has been created to ingest the BnF's web archives into SPAR, giving the community more information on their data, and in what is taking shape to deal with the BnF's administrative archives, adding new functionalities to the system.The difference between what preservations tools and what curation tools should be at the BnF will have to be examined over time, to ensure all the communities' needs are met while SPAR remains viable. Renewed dialogue with producers and users has led to the addition of functions the digital preservation team would not have thought of. Yet in day to day preservation activities of the BnF, it turns out that SPAR's growth takes a practical approach to the essentials of preservation and the specific needs of communities. Then as its potential revealed itself across the library, high hopes arose for a do-it-all digital curation tool. It was intended to be a "full OAIS", covering all preservation needs in one tidy system. In the beginning, SPAR, the National Library of France's repository, was designed as the OAIS softwarified. Looking back at the results it is clear that in three years the eld has evolved and in 2015 there are more and better tools available, standards are being de ned, and best practices are emerging. the need for a greater understanding of general information technology infrastructure.the need for increased knowledge of digital video technologies, and.the need for integration of different hardware and software components required for a seamless preservation work ow.a lack of standards for technical metadata and le formats.From interviews with staff actively involved in the preservation of media collections at twelve cultural institutions, four main challenges were identifed: The aim of the survey was to understand the main problems institutions face in the shift to le based artists’ video and to identify common procedures, practice, training, and tools. The survey was conducted over two months in early 2012, in the context of Matters in Media Art (Matters in Media Art is a multi- phase collaborative project-supported by the New Art Trust-between the Museum of Modern Art, New York the San Francisco Museum of Modern Art and Tate, Lon- don. This paper discusses the results of a small-scale survey focusing on current practices for the preservation of le-based video art in cultural institutions. This shift has had a signi cant impact on the procedures needed to ensure the long- term preservation of video artworks, requiring institutions to adjust their practices to this new environment. From the mid-2000s museums and other institutions caring for video collections have seen a shift in the type of material coming into their care as the production and handling of media moves from tape-based to le-based systems and work ows. |
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